Omid Nemalhabib
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Part Stationery
2024

Part Publications
Identity, Print, Typography, Type Design
In collaboration with Atrough
Part Stationery is a sub-brand and independent imprint within Part Publications, a Tehran-based publisher. The project brings together journals, pocket notebooks, and postcards, functional, well-made objects designed to slow down and enrich daily life.
               Studio Melli developed the visual identity for the project, a modular, typographic system built on a precise grid, clean and systematic in its logic yet fluid enough to move freely across formats and surfaces. The identity builds on Part's existing visual language, reinterpreting and expanding it into a new framework aligned with the collaborative nature of the project and its material values. Sustainable and recycled papers are treated not as background, but as part of the visual experience itself.
Abide
2024

Pooya Eshghinejad
Identity, Print, Motion, Music
Kherad Art House Records
Abide is the debut album by Iranian violinist and composer Pooya Eshghinejad, released by Kherad Art House Records. Part of the Zaryab series, an ongoing collection introducing rare and significant voices in contemporary Iranian music, the album sits at the intersection of Iranian indigenous music, jazz, and world music, resisting easy categorization.
               Studio Melli developed the visual identity for the release within the Zaryab series framework: a system built around typography and structure, where information becomes part of the design rather than secondary to it. Each release in the series carries its own distinct character while sharing a coherent binding logic. The work spans the physical package, a poster, stickers, motion and digital content, and materials for live events.
Nomad at Home
2023

AASSTTIINN Home
Identity, Event, Print, Motion
D3—Dubai Design District
Nomad at Home is an exhibition presented by AASSTTIINN Home at Downtown Design, Dubai Design District, exploring a nomadic and playful approach to living where furniture and objects are not fixed, but mobile, adaptable, and alive within a space. Studio Melli developed the full visual identity for the exhibition.
                The typographic system is anchored by a bold, display typeface, strong in character and connected to the heritage of the region, bringing a fresh yet rooted presence to the title. Alongside the typographic identity, a dynamic pattern system was developed from elements and objects drawn directly from the exhibition itself, creating a playful visual language that carries the spirit and history of the work across print, motion, and event materials.
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